Over the last couple of weeks I've gotten e-mails, seen Facebook messages and run across documentaries that all lead back to the very basic question of... "what makes art good?"
Not something easily answered. There is certainly no consensus in the art world among artists. There is a movement afoot. A return to classicism. That may not be an entirely accurate word for it, but there are artists pushing hard to refocus the art world on highly realistic styles of painting. They wonder aloud, "if a patron wandered into a gallery or museum and saw a Picasso or Mondrian without the name or price tag present, would they still assign such an incredible value to it?" They have a point.
Some people think artists like and appreciate all styles of art. There are probably some who do, but overall we are just as likely to be opinionated and say "that looks like a 3-year old did it" as anyone else. Personally, abstract usually doesn't do a lot for me. That said, I have seen some beautiful abstracts that have completely captivated me. I think some people see a piece of 'art' and think, wow, I have no idea what that means, so it must be art. It must be good. Why? If you don't understand or connect to the piece why buy it?
I've watched it happen in local art auctions. Certain key words open wallets a little wider...nationally-recognized, solo shows, featured in books, gallery representation...suddenly those works become worth more even when works of equal or greater ability are present and sold for much less. Something that bothers me even more than matching art to your sofa colors is buying art purely because someone else says it's good. What's the point?...okay, I know, the hope is that some time in the future this piece of art will skyrocket in value and fund your retirement, but really, what are the odds. Buy what you love (and can afford) and proudly display it.
I recently watched a documentary on N.C. Wyeth and family. Apparently Andrew was waging a constant battle within himself over whether his work was illustration or painting. He wanted to be a painter. This I can relate to. I was trained as an illustrator, but I don't think it's always so easy to draw a line between the two. Why does one have to be better than the other? Sometimes what we value in the fine art world seems so arbitrary to me.
I like impressionism very much...can't do it myself...but I love it. Most people don't know that in their own lifetime, the impressionists weren't accepted into major shows or were hung in the back out of the way. I mean, who ever heard of a yellow sky! They were shunned and had to start their own shows to get their work in front of the public. Now we highly admire their work.
Perhaps as a society we go through phases, but what drives them, the media? I'm not entirely sure. I think all artists should study design, color, form. Learn from the masters of the past, but in the end, I think there is room for all styles of art...to suit all tastes of buyers. Is it good? Make YOUR OWN decision.
About the Painting:
Not yet titled
Acrylic on Board
12" x 16"
$445.00
This is a field off highway 51 between Granbury and Weatherford, Texas that I am rather fond of. Late summer sun setting the grasses aglow.
See all Rebecca's paintings at
www.rebeccazook.com
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